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Do You Feel Bamboozled

 

Before seeing the movie "Bamboozled", HarlemLive members Justin Young, Treniese Ladson, Obatunji Mcknight, and Shem Rajoon, sat down with New York Times journalist Nina Siegel, to discuss items that we should look for while watching the film.

The following are portions of the film broken down by the HarlemLive members above.
Official Movie web site: http://bamboozledmovie.com/

Obatungi McKnight writes:

When you were watching the movie, did you think about other movies or television shows you have watched that were demeaning, in some way, to black people? If so, which ones? What about them can be considered demeaning? And how might they be changed to be less demeaning?

As I watched "Bamboozled" I thought more about life situations rather than television shows. A lot of decisions were made during the movie that I feel I would have made myself. Money can corrupt. There is no power except absolute power. I haven't seen any television shows that were as realistic as "Bamboozled" was, but I have thought of other sitcoms which were just as demeaning and dehumanizing to African Americans.

For example, the Parkers, a show about a single black mother attending college with her teenage daughter, upholds many stereotypes of the African-American community. Sometimes while I'm laughing it can make me wince because the show's producers make the mother seem so desperate for a man. I know for a fact, being the son of a single black mother, that it's not like that at all.

There is also a show called the PJ's which is a story about life in the projects in the ghetto. Here the people live up to their stereotypes, and it's considered acceptable.

I felt the movie showed a mirror image of society that the people who saw the movie would find this mock society on film disgusting. Those people are in denial and by not accepting the society portrayed (which I felt was very accurate) they can never make things better. I never said they have to embrace this image but by accepting it they can acknowledge what they're doing wrong and try to improve.

Treniese Ladson writes:

In the film "Bamboozled" Mr. Lee uses laughter as a way for people to realize the painful and scary truths of minstrel shows, and how they represent black people. The movie and the content were in no way funny to me. Happy, black face, singing and dancing "niggers" have never been an image to laugh at. In fact it was this same image that actually brought a tear to my eye. Nevertheless, as I held back the anger and pain which grew inside me; I still managed to choke out a few laughs.

One scene that I found amusing was the skit where Pierre Delacroix (Damon Wayans) visited his father at a comedy club. Although the jokes were very racist and stereotypical, I still found myself laughing at them. The laughter was not because the jokes were hilarious, but because on some level I felt they were true. He made some interesting points during his act that not only made me laugh, but also made me realize the harsh reality as to how blacks are portrayed in society.

This movie contained several skits, which were performed in a humorous tone, but instead the painful realization of what we have become as African Americans in the 21st century sets in like a powerful virus. At the end of the movie laughter is the last feeling you'll feel. Instead you are overwhelmed with a feeling of hatred, betrayal, and vengeance. Your eyes will finally be opened to the truth. The truth that we as a people have lost our identities in the pursuit of fame and worldly riches.

Justin Young writes:

When does "acting black" become a form of minstrelsy? That is, can you exaggerate "blackness" to a point that it creates a hurtful, negative stereotype? You might think about this by looking at how the word "nigger" is used, or lampooned, in the opening song, and throughout the movie.

Minstrelsy began during the Middle Ages. This phenomenon began with a single dance performed by Thomas D. Rice. His landmark performance of "Jim Crow" sparked an interest so strong it has captivated white audiences for nearly two centuries.

Soon thereafter Minstrelsy became a profession, an event preformed by servants. All of who were whites who painted their faces black. They harshly imitated blacks all while juggling, telling jokes, dancing, and acting out skits, all to make their masters or employers laugh.

Blacks during the time were depicted as being lazy, loud, stupid or cumbersome, with an uncontrollable craving for Watermelon!

The intense craving to demoralize blacks returned on the scene in the 1900's as blacks emerged on to the silver screen. Unable to acquire roles, which didn't require them to wear black make up, and red lipstick, or for that matter find a dignified role, therefore blacks of the time were forced to adhere to the white film executives.

Many can argue that today with all the black videos, music, speech, and comic relief, that blacks are just redefining minstrelsy. Constantly demeaning women, poking jokes at our expense, and rapping about money, cars, and sex one can ask how far have we really come since the days of minstrelsy? Are we just succumbing to a reality set for us by White America? That we have nothing to offer the world but entertainment, and fashion? And is the outside world sitting by laughing at us as we dance, sing and tell jokes?

White slave owners gave "Nigger" the word to us during the America's darkest hour. The demeaning term has remained with us up until now, but instead of it holding its full meaning it has evolved up to the point of acceptance within the black community.

All of the above leads me to the conclusion that we as blacks have evolved little since the days of minstrelsy. Were just giving White America what they want... A show.

starring Damon Wayans, Jada Pinkett Smith, Savion Glover, Tommy Davidson directed by Spike Lee  
 

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