"O"
reviewed
by: ReelReviewz@aol.com
MOVIE BIASES: I LOVE the play, but is this merely Shakespeare for dummies?
MAJOR PLAYERS: Mekhi Phifer (Soul Food), Josh Hartnett (Pearl Harbor),
Julia Stiles (Save the Last Dance), and director Tim Blake Nelson (actor,
"O Brother, Where Art Thou?).
I have some pretty thick biases about this movie. I have watched with
disgust as Hollywood has soullessly raped and pillaged classical literary
works, gutting them of all classiness by replacing them with shallow,
empty, whorish attempts to capitalize on the teenquake box office potential
(re: Save the Last Dance (Romeo and Juliet), 10 Things I Hate about
You (Taming of the Shrew), She's All That (Pygmalion), etc.). Also,
I played the title character of "Othello" in a stage production two
years ago so the play ranks as one of my absolute favorites. With the
long delayed "O," a teenage adaptation based on the Shakespearean tragedy
of "Othello" that sat on the shelf for two years due to the Columbine
and Santana high school shootings, would this movie prove to be yet
another trifling bastardization of the literary canon or a marriage
of visual and literary storytelling?
Odin James (Phifer) is a high school American for the Palmetto Grove
Hawks, a private, all-white high school in Charleston, SC. Not only
is he the token Negro, but also he's the star of the basketball team,
dating the headmaster's daughter (and most popular girl in school),
Desi (Stiles), and bound to deliver a state championship for his coach,
Duke (Martin Sheen). Duke's son, attention-starved, steroid popping,
overlooked utility-man Hugo (Hartnett), sets in motion a plan to not
only destroy the sweet innocent romance between Desi and Odin, but also
to destroy Odin's peace of mind by feeding him the green-eyed monster
of jealousy. Once Hugo has it in Odin's mind that Desi is cheating on
him with his best friend Michael Cassio (Andrew Keegan), everyone's
life becomes terribly perilous.
I have had my doubts about Mekhi Phifer in the past. Quite honestly,
he never really moved me and I thought he was overrated. Finally, he
puts this misconception of mine to bed with some serious, powerful work
as "O." The glowering intensity required by this updated Moor of Venice
is effectively juxtaposed with the love he feels for Desi. The chemistry
between Stiles and Phifer is definitely there, aided by a bang up script
by Brad Kaaya that convincingly transports the Shakespearean classic
scene by scene into the insecure world of American prep high school.
Phifer's inevitable meltdown in latter half of the movie is real and
authentic.
Most people who know "Othello" know that the movie is, arguably, more
a showcase for Iago than for Othello. In this respect, Josh Hartnett
does not disappoint. As Hugo, Hartnett's silently mischievous, steely
brown eyes convey the jealous disgust of a son who is consistently passed
over for Odin by his own father. Whereas in the play Iago's jealousy
has many smaller, intangible motives that never really add up to why
he "hates the Moor" so dang much, "O"'s Hartnett gives Hugo an all too
tangible reason to hate him - he just wants to soar like a hawk (get
it?) and be appreciated like Odin is overappreciated. This excellent,
heartbreakingly perfect portrayal of Iago proves that Josh Hartnett,
at his matted hair best, is an acting phenom lying in wait.
Overall, "O" is powerful and exhilarating to watch. Nelson gives us
haunting, visual storytelling that uses voiceovers, dream sequences,
and visual metaphor to chilling, potent effect. The much ballyhooed
teen violence is not so shocking if you know the story of "Othello,"
but I can see why the distributors wanted some time and space from the
real life high school murders. Armed with a hot hip hop soundtrack,
convincing basketball action, and nicely staged dramatic moments, this
movie is more accessible to the teenage moviegoer who probably would
not tread through five acts of iambic pentameter. Exceptional in its
own right, "O" is not "Othello" for dummies - it's "Othello" for the
new millennium.
@@@@ REELS
(FOUR REELS)
An urban legend/instant classic.
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