Owen Wilson is not
what you would call your traditional leading man. With average good
looks, a laid back, Texan drawl, and a face that sports a broken looking
nose (it has been broken - twice), he would not be most producers' first
choice for leading man in this $40 million Navy recruitment ad/film.
Luckily for us, and the film, first time feature director John Moore
made Wilson, in his first leading man role, his.
As the conflict in Bosnia seems to be winding down with a peace treaty
imminent, naval aviation navigator Chris Burnett (Wilson) has turned
in his letter to quit the Navy after seven years of mostly inactive
service. Lucky to get fifteen hours of flight time a month, Burnett
yearns to do something meaningful, putting him at odds with his old
school Battle Group commander Admiral Leslie Riegart (Hackman). Stuck
on a holiday mission to fly reconnaissance, Burnett and his pilot Michael
Stackhouse (Gabriel Macht) are shot down by the renegade Serbian army
after having taken photos of a civilian mass grave. On his own, Burnett
must evade and survive until he can be rescued, traveling through hostile
territory while being hunted by the forces of the Serbian military and
one track suit wearing sniper with bad intentions.
Usually known for laid back comic relief and his comedic action role
in "Shanghai Noon," Wilson answers the bell in "Lines."
With the role redesigned to fit his laid back personality, moving him
from pilot to the backseat navigator, Wilson is credible and believable
as an everyday hero who doesn't rely so much on being braver or tougher
than any of us, but by surviving through common sense and keeping his
wits about him. When the chips are down, Wilson is pretty convincing
as a hero. Hackman is in full-on "Crimson Tide" mode, duplicating,
at times, his sub commander in his performance as Riegart. The main
difference is the powerlessness he effectively portrays when, as admiral
of an entire battle group, his hands can become tied by bureaucratic
policies and agendas.
If there is a standout hero in this movie, it is the director. Having
bagged this job off of (of all things) a Sega Dreamcast commercial,
John Moore is the right man for the job. Directorially, he keeps things
tense and moving, showing a knack for being able to film pulse-pounding
action scenes, visually exciting aerial sequences, and tense, mood setting,
suspense shots. Employing jittery camerawork, quick jump cuts, faux
satellite imagery, and aerial photography facilitated by the cooperation
of the U.S. Navy, Moore shows that not only can he blow stuff up with
the best of them, but also that he is a director with real promise.
From sweeping vistas of the Czechoslovakia countryside to wide angled
portraits of simple locations as fields and snowy plains, Moore demonstrates
his experience as a photographer in '90s Bosnia to convey the juxtaposition
of a war torn country still surrounded by unspoiled natural beauty.
Aided by a script that aptly captures the contradictory, self-serving
nature of American foreign policy (which I am surprised ever got the
Navy greenlight), "Behind Enemy Lines" will make a star out
of everyone involved. It will also entertain you along the way.
@@@ REELS (THREE REELS)
It's pretty hot - go give it a shot.
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