BIASES:
mid 20s black male; frustrated screenwriter who favors action, comedy,
and glossy, big budget movies over indie flicks, kiddie flicks, and
weepy Merchant Ivory fare
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Black Hawk Down
MOVIE BIASES: Jeez, not another war movie. This better live up to the
hype.
MAJOR PLAYERS: Josh Hartnett (Pearl Harbor), Ewan McGregor (Moulin Rouge),
Eric Bana, Tom Sizemore (Saving Private Ryan), producer Jerry Bruckheimer
(Pearl Harbor), and director Ridley Scott (Gladiator).
After the
romantic comedy, one of the most overdone genres in Hollywood is the
war movie. Because it is so overdone, it's also one of the hardest genres
to get right. With all the classic war movies out in the social consciousness
- "Platoon," "Apocalypse Now," and "Full Metal
Jacket" just to name a few - how does someone do a war movie that
doesn't feel like a ripoff of every other war movie ever made? You hire
Ridley Scott and make "Black Hawk Down."
Based on a true story from the best-selling book, "Black Hawk Down"
explores a near-disastrous mission in Somalia on October 3, 1993 where
nearly 100 U.S. Army Rangers, commanded by Capt. Mike Steele (a convincingly
American Jason Isaacs), are dropped by helicopter deep into the capital
city of Mogadishu to capture two top lieutenants of a Somali warlord.
Of course, this quick, hourlong mission leads to a large and drawn-out
firefight between the Rangers and hundreds of Somali gunmen, resulting
in the crash of two U.S. Black Hawk helicopters in Mogadishu. The action
centers on the heroic efforts by various Rangers to get to them, including
Sgt. Eversmann (Hartnett), a young but capable soldier commanding his
first Ranger unit named Chalk Four, who get pinned down themselves by
intense street fighting from an enemy they had vastly underestimated.
But throughout one motto drives them all: "Leave no man behind."
You would think that evaluating the talent in such a fast-paced movie
as this one would be a difficult proposition, as lines get inevitably
lost due to the roar of rotor blades and the fury of persistent gunfire.
Instead, because of a movie like this, the action amplifies it. Aided
with an all-star cast of testosterone, Scott gets sheer intensity from
the performances of everyone, including Bana, Sam Shepard, and Tom Sizemore.
Josh Hartnett continues to grow an impressive resume as his blankly
all-American boy-next-door good looks translate into his performance
of a young rook with big responsibilities on his shoulders. Ewan McGregor
provides slight comic relief with an earnest portrayal (despite the
shaky American accent) of a former coffeepot-watching desk jockey turned
improbable combat hero.
But if it were any surprise, Ridley Scott rules this roost. With scarily
intense action, "Black Hawk Down" has quickly wrest away the
short-lived title of most inventive, exciting action sequences of the
year from "Lord of the Rings." The action comes fast, furious,
and with oddly breathtaking beauty (one sequence set to a Somalian chant
almost seems to be dictated by the music instead complemented by it).
Armed with a bang up musical score by Hans Zimmer (of course) gritty
cinematography by Slavomir Idziak (Proof of Life), and Ridley Scott's
unflinchingly artistic and in-the-line-of-fire direction, "Black
Hawk Down," in all its graphic, visceral imagery, has done something
that several movies have done before. It has made itself another war
movie classic.
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